The purpose of the article is to give a broader contextualization of the Slovenian female artists who took part at the festival City of Women in its twenty-year history. The article tries to capture a number of Slovenian artists through the prism of women emancipation, outline some basic items, and subsequently address them within the framework of the festival. The aim of the paper is to articulate specific value of authors' aestetics and the function of the language of the Slovenian female artists.
