The main topic of the present paper is the '85 Art Movement, which was the first significant nationwide Avant-garde art movement in China. This movement, which arose in the mid-80s, defined the aesthetic foundations and identity of contemporary Chinese art, and represented Chinese globalized society on the threshold of the 21st century. Whilst focusing on China’s specific cultural and political contexts, the present paper analyses the concepts of humanism (renwen 人文) and idea (guannian 觀念). The spirit of humanism, with a rationalist connotation, and the desire for a revolution of ideas were the two main factors underpinning the Chinese Avant-garde movement and its artistic expressions. The paper also shows that the '85 Art Movement did not stem solely from the socio-political challenges of the 1980s, but should be regarded in the wider context of the “modernization project of Chinese art”, in the early 20th century.
